Here’s some info. on “Deadwood”

In an age of plunder and greed, the richest gold strike in American History draws a throng of restless misfits to an outlaw settlement where everything — and everyone — has a price.

Welcome to Deadwood…a hell of a place to make your fortune.

From Executive Producer David Milch (”NYPD Blue”) comes DEADWOOD, a new drama series that focuses on the birth of an American frontier town and the ruthless power struggle that exists in its lawless boundaries.

The story begins two weeks after Custer’s defeat at Little Big Horn, combining fictional and real-life characters and events in an epic morality tale. Located in the Black Hills Indian Cession, the “town” of Deadwood is an illegal settlement, a violent and uncivilized outpost that attracts a colorful array of characters looking to get rich — from outlaws and entrepreneurs to ex-soldiers and racketeers, Chinese laborers, prostitutes, city dudes and gunfighters.

Among the settlers are ex-lawman Seth Bullock, played by Timothy Olyphant (”Go,” “Gone in 60 Seconds”), the legendary gunfighter and scout Wild Bill Hickok, played by Keith Carradine (”Nashville,” “Pretty Baby”) and Machiavellian saloon owner Al Swearengen, played by Ian McShane (”Sexy Beast,” “War and Remembrance”).

With its unflinching realism, adult themes and wickedly inventive storylines, DEADWOOD is an intense, character-driven drama that takes elements of the traditional western and turns them upside down. “I had always wanted to do a series set in some period where it was legitimate to explore the genesis of law,” Milch says. “What interested me about Deadwood is that it was an outlaw settlement, on Indian territory, so the American law didn’t apply — there were no laws at all.”

Milch, DEADWOOD’s creator and head writer in addition to its executive producer, is a onetime Yale lecturer whose TV credits include such series as “NYPD Blue” (he was co-creator) and “Hill Street Blues.” Walter Hill (”48 HRS.”, “The Long Riders”) directed DEADWOOD’s pilot episode. Gregg Fienberg (”Gods and Monsters”) is co-executive producer. Director/producer Davis Guggenheim (”Alias” and “24″) and Scott Stephens (”The Mind of the Married Man”) serving as producer.

Posted by: uno on April 30th, 2004 | No comments »



Give Chase and the writers credit for trying to show the inevitable tragedy in lives built on a particular view of life and of how we live it. It’s frightening to be responsible for your choices.

Posted by: uno on April 30th, 2004 | No comments »

Check out “Deadwood” if your around…It’s on now…I think this is about the 4th or 5th episode…Another words, it’s about 4weeks old….I haven’t seen the first few episodes, but I will when the Re-Peats start……I agree with most of what you say, and I can understand how you feel about the 4th season,but I still think Falco was UNREAL in the peg ho epoisode…

Posted by: uno on April 30th, 2004 | No comments »

I also think that the 2 1/2 star rating I gave this season with probably change before the seasons out….Chase does not want to go out on as losing note….

Posted by: uno on April 29th, 2004 | No comments »

I disagree about the 4th season….What brought that season up to par (IMO) were the episodes where Ralphie got wacked, and when Carmela found out about the 1 legged HO….Falco, and Gandolfini, gave the Best Performance that I’ve EVER seen….I’ve seen it about 15 times, and every time I get the chills, because of how REAL it was….Now don’t yell at me, my hair hurts today…hehe

Posted by: uno on April 29th, 2004 | No comments »



We are watching because not ALL episodes suck….Nothing but Bullshit on the other networks..And if those Fucking losers from “Friends” can make a mil a show, then Gandolfini should make 10 mil a show…..And by the way, Lizard was talikng to me…Is that ok???? Do we have your permission???hahahaha

Posted by: uno on April 29th, 2004 | No comments »

I’m a new fan, & am trying to find a song. Season 1, Episode 9, when Meadow & her friend (that tried to commit suicide because of the coach), are watching music television when Tony & Carmella get home, the song on the tv is the one I’m trying to find out, what it is & who it’s by?? (I found some music credits, but you can’t listen, so that didn’t help)… thanks.

Posted by: uno on April 29th, 2004 | No comments »

I’m a new fan, & am trying to find a song. Season 1, Episode 9, when Meadow & her friend (that tried to commit suicide because of the coach), are watching music television when Tony & Carmella get home, the song on the tv is the one I’m trying to find out, what it is & who it’s by?? (I found some music credits, but you can’t listen, so that didn’t help)… thanks.

Posted by: uno on April 29th, 2004 | No comments »

Because they are making a Fucking fortune..Especially Gandolfini…And you know what,if I were him I would do the same thing….1 mil.. a show….I’ll take it…After a while, the writers, acters ,ect… aren’t AS hungry as they were the first 3 seasons…Just the law of averages….They can’t possibly top the first 3 seasons…In my opinion, the first 3 were 5 Stars..The 4th was 4 stars, and the 5th…Well….2 1/2 stars….

Posted by: uno on April 28th, 2004 | No comments »

or anyone who’s unhappy with the Soprano’s…..You have to check out Deadwood ! It takes a little while to get used to the characters, but it’s a Top Notch Show….My favorite character is the woman with the hat, who seems to drink a lot..hahaha She’s a fucking scream,not to mention a GREAT actress..It’s very hard to act like a goof all the time,but she pulls it off…The head Dude is Really a nasty Mother Fo….This show will beat out the Sopranos for any awards this year…Mark my words……

Posted by: uno on April 28th, 2004 | No comments »